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The future of Africa’s economic transformation depends on the deliberate building and protection of African-owned enterprises capable of competing on the global stage, the Executive Chairman of KGL Group, Alex Apau Dadey, has said. Speaking at APD 2026, Mr Dadey made a compelling case for the emergence of strong African business champions as the true drivers of sustainable growth, industrialisation, and long-term prosperity across the continent.
“If we want sustainable growth in Africa, we must deliberately build African business champions that can compete globally,” he said. “History shows us that lasting economic transformation is driven by enterprises that scale beyond domestic markets — businesses that meet global standards, attract international capital, and compete on quality, governance, and execution.”
According to Mr Dadey, Africa does not suffer from a shortage of entrepreneurs or ideas. Rather, the continent’s greatest challenge lies in converting innovation into scale and protecting indigenous success from failure.
“Africa does not lack entrepreneurs. Africa lacks protection for successful entrepreneurs,” he noted. “Across the continent, when an African business moves from survival to significance, it attracts attention — not celebration, not partnership, but scrutiny. The systematic destabilisation of African business champions once they become competitive is worrying..”
He stressed that building African champions is not about exclusion or nationalism, but about inclusion and ownership in global value chains. “Building great African businesses is not about leaving Africa behind; it is about taking Africa with us,” he said. “An Africa built by African global champions is an Africa that is resilient, confident, and competitive.”
Mr Dadey further described local business champions as far more than wealthy individuals, positioning them instead as stabilising forces within African economies. He explained that African-owned enterprises play a critical role in anchoring supply chains, sustaining local production, investing in research and development, and providing patient capital that remains committed even when external financing retreats.
He also called for a rethinking of public–private partnerships across the continent, urging the private sector to move beyond purely commercial engagement. According to him, Wealth created through PPPs should make a lasting impact in the communities they operate in. The Private sector should not limit PPPs to only commercial collaboration, but also be responsible corporate citizens, filling in critical social intervention gaps left uncovered by governments — not as charity, but as investment in long-term stability, trust, and shared prosperity.
However, Mr Dadey cautioned that African enterprise faces a more subtle but increasingly dangerous threat in the modern economy — the weaponisation of narratives. He warned that businesses are no longer dismantled through force, but through sustained reputational and regulatory pressure.
“In today’s economy, companies are not destroyed with tanks,” he said. “They are dismantled through headlines, hashtags, consultant reports, and so-called neutral policy advice. Once control of the narrative is lost, the business is already wounded.”
Despite these challenges, he remained optimistic about Africa’s trajectory, pointing to frameworks such as the African Continental Free Trade Area as powerful enablers of scale, integration, and shared prosperity. “Africa’s greatest advantage is not just its resources or demographics,” he concluded. “It is the choices we make now — and the African business champions we choose to support, protect, and empower to lead our transformation.”
With just days left until the curtain falls on one of Ghana’s most talked-about iGaming promotions, excitement around the PrideSpins Golden Draw has reached a new peak. The campaign, which officially ends on 16th February, has captured nationwide attention, positioning PrideSpins Ghana at the centre of conversations both online and offline as players race against time for a chance to win big.
The Golden Draw has stood out not only for its scale but for the real, tangible value of its rewards. In total, 30 winners will walk away with guaranteed prizes, making this one of the biggest and most rewarding promotional campaigns ever run by PrideSpins. At the top of the prize list is a brand-new car, a reward that represents freedom, mobility, and opportunity for its eventual winner.
Beyond the headline car prize, the Golden Draw also features tricycles and motorbikes, items that resonate strongly with Ghana’s entrepreneurial culture. For many players, these are not just prizes but potential income-generating tools that can significantly improve daily life. Adding to the excitement are smartphones, shopping vouchers, and other valuable rewards, ensuring that multiple participants experience meaningful wins when the draw concludes.
What has fueled the rapid spread of the Golden Draw across Ghana is the simplicity of participation. Players earn entries simply by playing eligible games on the PrideSpins platform, turning everyday gameplay into real chances of winning. This clear and transparent structure has helped build trust and confidence among players, especially in a market where credibility matters deeply.
As the February 16 deadline approaches, activity on the platform has surged. Players are sharing progress updates, discussing strategies, and encouraging friends to join in before time runs out. The sense of urgency is unmistakable, with many recognising that each play could be the one that secures a winning Golden Ticket into the final drawentry.
PrideSpins has built a reputation over the years for delivering exciting promotions, competitive offers, and player-focused campaigns, and the Golden Draw is a strong reflection of that legacy. From cash rewards to large-scale prize campaigns, PrideSpins Ghana has consistently prioritised experiences that feel rewarding, accessible, and relevant to its audience. According to the brand, the Golden Draw is not the end of that journey, with even more promotions and surprises expected later this year.
For players yet to participate, there is still time; but not much. The Golden Draw officially closes on 16th February, and entries earned before then remain eligible for selectionparticiaption. With 30 prizes waiting to be claimed, every game played between now and the closing date could make the difference.
Participation remains open via the official PrideSpins Golden Draw page at
https://pridespins.com.gh/win/golden-draw/1, where players can join the campaign and increase their chances of being among the final winners.
As the countdown continues, one thing is certain: the PrideSpins Golden Draw has already made its mark on Ghana’s iGaming landscape. For those still considering whether to play, the message is clear; time is running out, and the next winner could be you.
Excerpt: Ghana’s minimum wage of 22 USD is 50% of Nigeria’s and only 17% of its neighbour Cote D’Ivoire’s 127 USD per month. Considering that Ghana is a middle-income country makes it unthinkable that we have lagged behind in this case to the point of absurdity.
Introduction
Ghana’s national minimum wage has long trailed the cost of living, and inflation surges in recent years (up to 2022) have only widened the gap. As of 2025, the daily minimum wage stands at GH¢19.97, which translates to roughly GH¢540 per month (approximately USD 30-40) (Citi Newsroom, 2025). This wage floor, which is barely GH¢20 a day is the result of incremental adjustments made over decades, yet it remains extremely low relative to what workers need to survive.
With many families struggling to afford basic necessities, there is growing consensus among labour groups, economists, and policy analysts that Ghana must radically rethink its minimum wage policy. An examination of historical trends, living costs, and international benchmarks makes one conclusion unavoidable: Ghana’s wage floor can no longer be set so far below economic reality.
A History of Inadequate Incremental Increases
The GhanaCareers team decided to review the historical records of Ghana’s national minimum wage to put things in perspective. We found that Ghana’s minimum wage has increased gradually over the years, but often in small steps that lag behind inflation. In the early 2010s, the wage was only a few cedis per day, and even by 2015 it stood at just GH¢7.00 (Finex Insights, 2024). Between 2015 and 2020, authorities raised the daily minimum wage from GH¢7.00 to GH¢11.82, typically adding between GH¢0.70 and GH¢1.20 annually (Finex Insights, 2024).
These cautious adjustments provided limited relief but frequently failed to keep pace with inflation, leaving workers’ purchasing power largely stagnant (Finex Insights, 2024). For example, the 2021 minimum wage was GH¢12.53, representing a 6% increase over 2020 (GBC Ghana Online, 2021), while 2022’s wage rose to GH¢13.53, an 8% increase (GBC Ghana Online, 2022). These increases were quickly eroded by rising consumer prices.
It was only in recent years that wage hikes accelerated. Facing soaring inflation and sharp currency depreciation in 2022 – when inflation peaked above 54% (MyJoyOnline, 2022) – policymakers approved steeper increases. In 2023, the daily minimum wage rose to GH¢14.88, and in 2024, it jumped to GH¢18.15, marking the largest one-year increase in over a decade (Workforce Africa, 2024). By 2025, the wage reached GH¢19.97 per day, nearly triple its 2015 level in nominal terms (Finex Insights, 2025).
Despite these increases, real wages have not meaningfully improved. Inflation and rising costs in recent years (especially in 2022) continue to erode nominal gains, rendering recent wage hikes largely reactive rather than proactive (Finex Insights, 2025). In 2022, for instance, inflation surged while the minimum wage rose by only 8% (GBC Ghana Online, 2022). A further 10% increase in 2023 proved insufficient to offset inflationary pressures, offering little real relief to workers (WIEGO, 2023). The pattern is clear: Ghana’s wage floor has consistently been adjusted too little and too late.
Below the Cost of Living
The consequences of a low wage floor are evident in daily life. The current GH¢19.97 daily minimum, approximately GH¢540 per month falls far short of a living wage (High Street Journal, 2025). A single adult in a Ghanaian city (such as Accra or Kumasi) may spend GH¢1,120 to GH¢2,800 per month on food and basic essentials alone (Scientect, 2024). Rent, utilities, and transport can add GH¢500 to GH¢1,500, depending on location (Scientect, 2024).
A full-time minimum-wage worker earning under GH¢600 per month cannot realistically meet these expenses. Monthly foodstuffs alone often exceed GH¢1,000, more than double the worker’s income (Scientect, 2024). As observed by policy analysts, weekly grocery spending for a single adult can exceed an entire month’s minimum wage at 2024 levels (Scientect, 2024).
Many Ghanaian workers are therefore trapped in poverty despite full-time employment. The Ghana Trades Union Congress (TUC) has warned that the minimum wage remains inadequate for family support, noting that workers often have dependents (High Street Journal, 2025). In late 2025, Ghana’s Finance Minister acknowledged the severe strain inflation had placed on households (Citi Newsroom, 2025).
Living wage estimates suggest that a single worker in peri-urban Ghana required approximately GH¢2,900 per month in 2023 to maintain a basic but decent standard of living (WIEGO, 2023). This figure is more than five times the current minimum wage and highlights the deep disconnect between legal wages and economic reality.
Ghana vs. International Benchmarks (Africa-Focused)
Ghana’s minimum wage is not only low domestically; it is also low by regional and international standards. Within West Africa, Ghana’s monthly minimum (roughly USD 22) s less than half of Nigeria’s and only a fraction of Côte d’Ivoire’s (Betternship, 2026). Nigeria’s federal minimum wage was raised to ₦70,000 in 2024 (approximately USD 44), while Côte d’Ivoire’s stands at roughly USD 127 per month (Betternship, 2026).
Kenya’s base wage is approximately USD 117, and South Africa’s national minimum exceeds USD 280 per month (Workforce Africa, 2024). Even smaller economies such as Liberia and Benin maintain higher minimum wages than Ghana (Betternship, 2026).
Although wage floors are influenced by national economic conditions, Ghana’s status as a lower-middle-income country makes its exceptionally low minimum wage difficult to justify. The global trend is toward higher wage floors and inflation-linked adjustments. Ghana risks losing talent, increasing informality, and undermining labour protections if it continues on its current path.
Why a Radical Rethink Is Needed
Incremental wage adjustments are no longer sufficient. Ghana’s recent inflation crisis (up to 2022) exposed how fragile the current wage framework is. When prices rise by double digits, single-digit wage increases push workers further into hardship.
A radical rethink means linking wages to living costs, inflation, and productivity, rather than treating the minimum wage as a symbolic figure. Labour unions and policy experts have increasingly advocated for a living wage model, arguing that wages must reflect the real cost of supporting a household (High Street Journal, 2025).
Maintaining a poverty wage suppresses domestic demand, limits savings and investment, and exacerbates inequality. Ghana’s labour laws emphasize fair and decent remuneration, yet the current minimum wage falls far below this standard.
A New Living Wage Floor for 2026
Data strongly supports a significant revision of Ghana’s minimum wage. The research on living wage suggests that a single adult requires around GH¢3,000 per month to meet basic needs with dignity (Scientect, 2024). While this represents a substantial increase, it highlights how unsustainable the current GH¢540 monthly wage truly is.
At a minimum, Ghana should target a four-figure monthly minimum wage in 2026. A proposed starting point of GH¢1,500 per month – approximately GH¢50–55 per day would meaningfully improve workers’ lives while remaining below full living wage estimates. This figure should be accompanied by a clear roadmap to reach GH¢3,000 within three to five years.
Such increases should remain tax-exempt, as recommended by the National Tripartite Committee (Business Insider Africa, 2024), ensuring workers retain the full benefit.
Benefits for Workers and the Economy
A higher wage floor would generate widespread benefits:
• Poverty Reduction: Higher wages lift households out of poverty and reduce dependence on social assistance.
• Improved Productivity and Retention: Fair pay enhances morale, productivity, and workforce stability.
• Gender and Social Equity: Wage increases disproportionately benefit women and reduce inequality.
• Stronger Labour Participation: Fair wages encourage workforce entry and reduce informality.
Concerns about inflation or dip in job vacancies in Ghana are often overstated. Ghana’s inflation has been driven primarily by macroeconomic factors (such as excessive borrowing by the previous government), not wage growth. Evidence suggests that moderate wage increases from a low base have minimal negative employment effects.
Conclusion
Ghana’s minimum wage has become a symbolic figure rather than a living wage indicator. It is essentially a legal standard that no one can realistically live on. In 2026, this must change. A starting minimum of GH¢1,500 per month, supported by inflation indexing and a living wage roadmap, would restore dignity to work and strengthen the economy.
Ghana faces a clear choice: continue managing poverty through wages or invest boldly in its workforce. A radical minimum wage reform is not only economically sound but morally necessary.
The time to act is now. Share this with policy makers and opinion leaders in Ghana and let us change this unacceptable situation for good!
GhanaCareers is an indigenous, Ghana-focused online recruitment portal designed to connect jobseekers with verified employment opportunities across multiple industries. The platform provides access to up-to-date Ghana job vacancies, career insights, supporting both applicants and employers in an evolving digital employment landscape.
In economics, ideas rarely fail because they are wrong. More often, they fail because they are badly introduced, poorly structured, or concluded without conviction. Anyone who has sat through a policy briefing that began with a dense equation, or read a paper whose conclusion simply restated its abstract, will recognise the problem. Economic reasoning may be rigorous, but economic communication frequently is not.
This matters more than economists sometimes admit. Economic ideas do not live in journals alone. They travel into ministries, boardrooms, classrooms and, increasingly, the public sphere. They inform interest rate decisions, shape fiscal priorities, and influence how societies understand inequality, inflation, and growth. When economists write, they are not merely reporting results. They are guiding interpretation and, in many cases, shaping action.
A well-structured document is therefore not cosmetic. It is strategic. The introduction sets the contract with the reader. The body delivers on that promise through logic and evidence. The conclusion determines whether the message lingers or dissipates. Together, these elements determine whether economic insight becomes economic influence.
The craft of economic writing should be seen through the lens of structure, with particular attention to introductions. Clarity, sequencing and narrative discipline are essential tools for economists who want their work to matter beyond their immediate peers, and I will draw on academic literature and a concrete example from applied monetary economics to make my point.
The introduction is an intellectual handshake
Introductions are often treated as formalities, a short runway before the “real” work begins. In economic writing, this attitude is costly. The introduction is not a summary. It is an invitation. It tells the reader why they should care, how the argument will unfold, and what intellectual journey they are about to undertake.
Prinz and Arnbjörnsdóttir (2021) describe the introduction as the architectural foundation of an academic text. A strong introduction, they argue, engages the reader, provides context, and leads seamlessly to the thesis. Without this structure, even technically sound analysis can feel disjointed or inaccessible. Hassan (2024) makes a similar point from a research-writing perspective, noting that the introduction establishes purpose, relevance and direction. It is the reader’s first impression and, often, their decision point about whether to continue.
In economics, this role is amplified by complexity. Models, data and policy debates can overwhelm even informed readers if they are not properly framed. A clear introduction performs three essential tasks. First, it defines the problem in plain language. Second, it situates that problem within a real-world context. Third, it signals what the reader will gain by engaging with the analysis.
When any of these elements are missing, the reader is forced to work too hard, too early. And readers, whether policymakers or students, rarely persist out of goodwill alone.
An introduction should earn attention
A useful example comes from applied macroeconomic research rather than journalism. The paper “How optimal is Ghana’s single-digit inflation targeting? An assessment of monetary policy effectiveness in Ghana” by Amoatey, Ayisi and Osei-Assibey opens with a deceptively simple observation. The optimal level of inflation, they note, has long occupied both academics and policymakers because inflation produces both benefits and costs. Growth incentives coexist with welfare losses. Stability must be balanced against flexibility.
This opening works for several reasons.
First, it begins with a broad, recognisable concern rather than a technical claim. Inflation targeting is not introduced as a narrow econometric puzzle, but as a longstanding policy dilemma. Second, the authors immediately anchor the discussion in a specific national context. Ghana is not presented as an abstract case study, but as a real economy grappling with persistent target misses and credibility challenges. Third, the phrase “necessary evil” is doing rhetorical work. It signals tension, trade-offs and uncertainty, drawing the reader into the debate rather than presenting it as settled science.
Most importantly, the introduction points forward. It makes clear that the paper is not merely descriptive. It is asking whether Ghana’s policy framework itself is fit for purpose, or whether execution, rather than design, is the problem. By the end of the introduction, the reader knows what is at stake, why it matters, and what question the analysis intends to answer.
This is precisely what an introduction should do. It lowers the cognitive barrier to entry without diluting the intellectual challenge. It respects the reader’s intelligence while guiding their attention.
Why economists struggle with introductions
If strong introductions are so powerful, why are they so rare in economic writing?
Part of the answer lies in training. Economists are taught to prioritise precision over persuasion. The incentive structures of academia reward methodological novelty and statistical robustness, not narrative clarity. Introductions become compressed literature reviews rather than carefully constructed arguments.
There is also a cultural element. Many economists write as if their audience already agrees on why the topic matters. This assumption may hold within a narrow subfield, but it collapses when ideas travel across disciplines or into policy debates. What seems self-evident to a specialist may be opaque to everyone else.
Finally, there is a misconception that clarity implies simplification and that simplification risks misrepresentation. In practice, the opposite is often true. Poorly structured writing obscures nuance. Clear structure allows complexity to be introduced gradually, giving the reader time to absorb assumptions, mechanisms and implications.
The introduction is where this discipline begins. It forces the author to articulate, in accessible terms, what the problem actually is and why it deserves attention.
Structure as a guide through complexity
While introductions open the door, the body of an economic document determines whether the reader stays. Here, logical structure is the difference between illumination and confusion.
Complex economic arguments typically rest on layered reasoning. Theory informs hypotheses. Data tests those hypotheses. Results feed into interpretation and policy implications. When this sequence is disrupted, the reader loses the thread.
A well-structured body follows a clear progression. Concepts are introduced before they are applied. Data is explained before it is analysed. Results are interpreted before they are evaluated. Each section builds on the last, reinforcing the central argument rather than competing with it.
Returning to the Ghana inflation paper, the authors move methodically from theory to evidence. They outline the rationale for inflation targeting, discuss Ghana’s institutional framework, present empirical results, and then interpret those results in light of policy credibility and structural constraints. The data does not speak in isolation. It is embedded within a narrative about policy effectiveness.
This approach mirrors good economic journalism.
For economists, the lesson is clear. Data should be sequenced to support an argument, not merely displayed. Each empirical section should answer an implicit question raised by the previous one. Why this model? Why this variable? Why this result? When the structure anticipates these questions, clarity follows.
Strategies for coherence and flow
Ensuring coherence in economic writing requires deliberate choices.
One effective strategy is signposting. Explicitly telling the reader what a section will do and why it matters reduces cognitive load. Phrases such as “to assess whether” or “this section examines” may seem pedestrian, but they are powerful navigational tools.
Another is thematic consistency. Each section should relate back to the core question posed in the introduction. Tangential results, however interesting, dilute impact if they are not clearly tied to the main argument.
Transitions matter as well. Abrupt shifts between theory and data, or between results and policy discussion, can disorient readers. Transitional paragraphs that summarise what has been established and preview what comes next maintain momentum.
These techniques are more than stylistic flourishes. They are mechanisms for respecting the reader’s attention. In a world saturated with information, even high-quality analysis competes for cognitive space.
Conclusions that do more than summarise
If introductions invite and bodies explain, conclusions decide whether the argument endures.
Weak conclusions are common in economic writing. They restate findings without synthesis, or gesture vaguely towards “future research”. Strong conclusions, by contrast, perform three tasks. They consolidate understanding, articulate implications, and leave the reader with a sense of resolution.
One of the most effective conclusions I recall reading did not introduce new data or claims. Instead, it reframed the entire analysis in light of its implications. It asked what the findings meant for policy, for theory, and for how the problem should be understood going forward. By doing so, it transformed technical results into actionable insight.
In the Ghana inflation study, the conclusion reinforces the central tension introduced at the outset. It returns to the question of optimal targeting, weighs institutional credibility against structural constraints, and highlights the policy trade-offs implied by the findings. The reader is not left wondering why the analysis mattered. The relevance is explicit.
This approach can be replicated. A good conclusion revisits the introduction, not by repetition, but by resolution. It answers the question that was posed. It shows how the analysis has altered, refined or deepened understanding. And it gestures towards action, whether in the form of policy adjustment, conceptual reframing or further inquiry.
Writing as an act of responsibility
There is a tendency among economists to view writing as secondary to analysis. Yet writing is the medium through which analysis enters the world. Poor structure can neutralise good ideas. Strong structure can amplify them.
This is not merely an academic concern. In policy environments, unclear communication can lead to misinterpretation. In public discourse, it can erode trust. In education, it can discourage engagement with economic thinking altogether.
Economists, whether in academia, government or industry, therefore carry a responsibility. They must not only be right. They must be understandable. Structure is the bridge between rigour and relevance.
Introductions deserve particular care because they determine whether that bridge is ever crossed. An engaging introduction does not oversimplify. It clarifies. It situates. It motivates. It respects the reader’s time and intelligence.
Conclusion
Economic writing succeeds when structure and substance reinforce each other. A clear and engaging introduction frames the problem and invites the reader in. A logically organised body guides them through complexity with purpose. A strong conclusion consolidates insight and points towards action.
The paper on Ghana’s inflation targeting provides an example of how these elements can work together. By balancing theory with context, data with narrative, and analysis with implication, the authors demonstrate that economic communication can be both rigorous and accessible.
For economists seeking impact, the lesson is straightforward but demanding. Writing is not an afterthought. It is part of the analytical craft. When structure is treated as strategy, economic ideas stand a far better chance of shaping how people understand and respond to the world around them.
Thank you for reading. I welcome your reflections, questions, and suggestions for future topics. Subscribe to the Entrepreneur In You newsletter here: https://lnkd.in/d-hgCVPy, follow me on all social platforms at @thisisthemax, or get weekly updates via my official WhatsApp channel: www.bit.ly/whatsappthemax.
Readers seeking a deeper engagement with these themes may find the following sources useful, each offering more detailed treatment of specific dimensions of the subject.
Amoatey, R., Ayisi, R. K., & Osei-Assibey, E. (2023). How optimal is Ghana’s single-digit inflation targeting? An assessment of monetary policy effectiveness in Ghana. African Journal of Economic and Management Studies. Advance online publication. https://doi.org/10.1108/AJEMS-03-2023-0119
Hassan, M. (2024, 26th March). Research paper introduction – Writing guide and examples. ResearchMethod.net. https://researchmethod.net/research-paper-introduction/
Prinz, P., & Arnbjörnsdóttir, B. (2021). The art and architecture of academic writing. Amsterdam: John Benjamins Publishing Company.
Wishing you a purposeful and successful week ahead!
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Maxwell Investments Group – MIG
The author, Dr. Maxwell Ampong, serves as the CEO of Maxwell Investments Group. He is also an Honorary Curator at the Ghana National Museum and the Official Business Advisor with Ghana’s largest agricultural trade union under Ghana’s Trade Union Congress (TUC). Founder of WellMax Inclusive Insurance and WellMax Micro-Credit Enterprise, Dr. Ampong writes on relevant economic topics and provides general perspective pieces. ‘Entrepreneur In You’ operates under the auspices of the Africa School of Entrepreneurship, an initiative of Maxwell Investments Group.
Disclaimer: The views, thoughts, and opinions expressed in this article are solely those of the author, Dr. Maxwell Ampong, and do not necessarily reflect the official policy, position, or beliefs of Maxwell Investments Group or any of its affiliates. Any references to policy or regulation reflect the author’s interpretation and are not intended to represent the formal stance of Maxwell Investments Group. This content is provided for informational purposes only and does not constitute legal, financial, or investment advice. Readers should seek independent advice before making any decisions based on this material. Maxwell Investments Group assumes no responsibility or liability for any errors or omissions in the content or for any actions taken based on the information provided.
AfroFuture, one of Africa’s most celebrated cultural experience platforms, proudly announces the release of its second single, ‘Mngani Wam,’ from the AfroFuture-powered collaborative project titled “BAL’ING ON THE CONTINENT”. ‘Mngani Wam’ is available on all digital streaming platforms worldwide here: https://orcd.co/mngani-wam
The release follows the project’s first single, ‘Funk Sauce (Wagwan)’ by one of Rwanda’s leading artists, Juno Kizigenza, released in June 2025. The project is distributed via The Continent. Live, in partnership with Orchard West Africa, is reinforcing a strong pan-African distribution and cultural exchange framework.
Afrofuturistic producer and DJ, K-Zaka, genre-bending creative duo, Uncool Angels, and acclaimed Amapiano vocalist, Philharmonic, come together on ‘Mngani Wam,’ a heartfelt celebration of friendship. Translating to “my friend,” the record draws from real-life experiences and shared journeys, highlighting the beauty of honouring friendships that grow through different phases of life.
Warm, reflective, and uplifting, the song explores themes of loyalty, companionship, and chosen family – values that transcend borders and resonate deeply across the African continent. Rooted in Afro House and Amapiano, the minimalist yet immersive production allows emotion, storytelling, and vocal depth to take centre stage.
THE VISION BEHIND
BAL’ING ON THE CONTINENT
“BAL’ING ON THE CONTINENT” is a collaborative music project inspired by AfroFuture’s journey across Africa during the Basketball Africa League (BAL) Season 5. While travelling with the BAL, AfroFuture connected with artists and producers from different African markets, sparking conversations around collaboration, creative exchange, and cultural storytelling.
These interactions laid the foundation for a project that brings together diverse sounds, languages, and perspectives into one cohesive body of work – using music as a cultural bridge to promote basketball on the African continent. “This project aims to encourage collaboration, foster unity, and bring together music from different parts of Africa, using music – one of the biggest cultural influences on the continent today – as a tool to promote basketball in Africa.
While on the road for BAL Season 5, AfroFuture proposed this collaborative project. The coming together of this tape fosters unity and collaboration, one of the core pillars AfroFuture has championed over the past nine years.” – Khadijat El-Alawa, Head of Music & Talents, Culture Management Group (AfroFuture)
Last December, AfroFuture hosted an exclusive listening session for industry partners, offering an early preview of the project. The response was overwhelmingly positive, setting the stage for a rollout that now looks to resonate with fans across Africa and beyond.
With its stripped-back yet dynamic production, ‘Mngani Wam’ creates space for reflection and emotional honesty. The single serves as a powerful expression of AfroFuture’s long-standing commitment to cultural exchange, storytelling, and building bridges across Africa through music.
The release sets the tone for the broader “BAL’ING ON THE CONTINENT” project, scheduled for release later this year – positioning collaboration not merely as a creative choice, but as a continental cultural movement.
ABOUT THE ARTISTS K-ZAKA
K-Zaka (Okabetse John Hlongwane) is a South African producer and DJ from Northam, Limpopo, known for his Afrofuturistic sound that blends Afro House, electronic music, and African rhythm. Since relocating to Pretoria in 2016, he has built a strong reputation through DJ residencies, a weekly mix DJ slot on Tuks FM, and the success of his breakout single ‘Qhubeka.’
PHILHARMONIC
Philharmonic (Mbuso Philharmonique Twala) is a Soweto-born vocalist celebrated for his soulful tone and emotive delivery within the Amapiano space. A sought-after collaborator, he has contributed to popular releases such as ‘Banike,’ ‘Zulu,’ and ‘Jaeger,’ earning recognition for his ability to infuse depth and feeling into contemporary dance music.
UNCOOL ANGELS
Uncool Angels are a trailblazing female DJ duo formed in South Africa in 2023, made up of Nnana Nthangeni from Soweto, Johannesburg, and Refrieca Consent Chiloane from Bushbuckridge, Mpumalanga. Known for their high-energy, movement-driven performances, the duo blends Amapiano, 3-Step, Afro House, and Afro Tech, drawing from their professional dance backgrounds to deliver immersive live experiences. In a short time, they have performed across South Africa and beyond, establishing themselves as one of the country’s most exciting emerging acts.
The MTN FA Cup has once again delivered a compelling narrative, with the Round of 16 draw setting up a fierce battle between Asante Kotoko and Aduana FC, while also throwing up an equally intriguing duel between FC Samartex 1996 and Medeama SC.
The clash between Kotoko and Aduana has immediately taken centre stage, not only because of the stature of both clubs, but also due to the bold reactions that followed the draw.
Defending champions Asante Kotoko were paired with the Dormaa-based Aduana FC in what many describe as a final-before-the-final, a tie capable of drawing national attention on its own.
Aduana FC wasted no time in talking up the encounter. Club Chief Executive Officer Collins Attah Poku welcomed the matchup, insisting his side harbours no fear despite Kotoko’s pedigree.
According to him, the FA Cup is about courage and ambition, and facing the holders offers Aduana the perfect platform to prove their readiness to compete for silverware.
He stressed that Aduana are going into the game with a clear objective — to eliminate Kotoko and advance — adding that supporters will travel in large numbers to rally behind the team.
Asante Kotoko, while more restrained in public comments, are fully aware of the magnitude of the challenge.
Club insiders acknowledge that Aduana FC are not strangers to high-pressure games and have the quality to punish any complacency.
For the Porcupine Warriors, the fixture represents a critical test of their title defence and a reminder that the FA Cup allows no room for error.
Away from the spotlight fixture, the pairing of FC Samartex 1996 and Medeama SC has also generated quiet excitement.
Samartex, who have steadily grown into a competitive force, will relish the opportunity to test themselves against a Medeama side with continental experience and a reputation for tactical discipline.
Although both clubs have kept their cards close to their chests, football observers expect a tightly contested encounter, with Medeama’s experience set against Samartex’s hunger and momentum.
As anticipation builds around these key matchups, the full Round of 16 draw underscores the competitive balance of the tournament.
The fixtures are as follows: Asante Kotoko vs Aduana FC, Medeama SC vs FC Samartex 1996, Hearts of Oak vs Berekum Chelsea, Bechem United vs Dreams FC, Legon Cities vs King Faisal, Nations FC vs Bofoakwa Tano, Karela United vs Eleven Wonders, and Real Tamale United vs Okwahu United.
With the matches scheduled to be played in early February, the MTN FA Cup is once again poised to deliver passion, intensity and surprises. As bold statements meet action on the pitch, only the strongest and most focused sides will keep their dreams of FA Cup glory alive.
Ghanaian influencer, food content creator, and digital storyteller Kojo Junior, born Peter Kojo Appiadu, continues to cement his position as one of the country’s most impactful digital voices after being selected by Coca-Cola to experience the World Cup in the Ivory Coast on February 3rd, 2026. The exclusive trip brought together a curated group of top African creators, spotlighting voices that authentically represent culture, creativity, and community across the continent.
Kojo Junior’s selection was no coincidence. Widely regarded as one of Ghana’s biggest and most relatable creators, he has built a powerful digital presence grounded in authentic storytelling, cultural pride, and original humour. As a food content creator, Kojo Junior has become especially known for showcasing local meals, street food culture, and everyday Ghanaian eating experiences in ways that feel both entertaining and familiar. His content is instantly recognisable, delivered through engaging Twi voice-overs and complemented by English subtitles that make his stories accessible to a global audience without diluting their Ghanaian essence.
In an industry where audiences increasingly value realness over perfection, Kojo Junior stands out for staying true to his roots. Whether he is highlighting food culture, daily life, or social interactions, his humour reflects everyday Ghanaian experiences, his narratives mirror common social realities, and his delivery feels natural rather than performative. This authenticity has earned him a deeply loyal following and positioned him as a trusted voice for brands seeking meaningful and culturally relevant engagement.
Ghanaian influencer Kojo Junior
Kojo Junior And Coca Cola
Coca-Cola’s World Cup creator experience aimed to celebrate football, culture, and storytelling through African perspectives. By choosing Kojo Junior, the brand aligned itself with a creator who embodies connection, relatability, and cultural relevance. Throughout the experience in Ivory Coast, Kojo Junior shared moments from the World Cup atmosphere in his signature style, capturing the excitement, emotions, and shared passion of football fans across Africa, while maintaining the storytelling approach his audience has come to expect.
Beyond the event itself, the collaboration signals a broader shift in influencer marketing. Global brands are increasingly investing in creators who bring local credibility with international reach, and Kojo Junior represents this new generation of African storytellers redefining digital influence.
As his platform continues to grow and his impact expands beyond Ghana’s borders, Peter Kojo Appiadu, popularly known as Kojo Junior, remains a standout example of how authenticity, culture, and creativity can open global doors. From Twi narration and food storytelling to world-class brand partnerships, Kojo Junior is not just creating content—he is representing Ghana on the world stage.
Faustina Wegah, a fashion designer, and Angela Nartey, a beautician, thought they’d spend a peaceful Christmas night out with friends. On December 25, 2025, Angela got a text from Cephas Sisiawovor Bubune, a driver, asking her out for celebrations.
She agreed and invited Faustina along. At 9:45 p.m., Cephas arrived with a friend, Kobby, at Adade Junction in a Toyota saloon car.
The plan was to head to Dwowulu, Accra, but things took a turn. Instead, Cephas drove towards CP, a suburb of Kasoa, claiming they’d pick up a friend.
The girls grew suspicious and were soon surrounded by more men, all brandishing knives.
The group robbed them of two iPhones, two keypad phones, and GH¢2,235 cash. Faustina was injured during the struggle, her palms slashed with a knife.
The attackers dumped the girls at an uncompleted building near the Mother and Child Hospital at CP and drove off.
After medical treatment, Faustina and Angela reported the incident to the police on January 10, 2026. D/l/cpl. Baamaala Jacob at the Central-East Police command Kasoa after thorough investigation arrested Cephas on January 13, 2026, at Freetown, Kasoa.
Investigations revealed the robbery was pre-planned, and the stolen iPhones were sold to Ofori Boateng, a trader, for GH¢3,500 and GH¢2,500.
Ofori was arrested the next day and claimed he didn’t know the phones were stolen. Both Cephas and Ofori were charged and arraigned in Ofaakor Circuit court.
Source: Peter Narteh-Agbeyome, Freelancer and STDA Member
Ghana’s decentralization project, as enshrined in the 1992 Constitution, was designed to bring governance closer to the people. At the foundation of this democratic structure lies the Unit Committee, a body often overlooked but central to grassroots development. Yet, a troubling practice has taken root across the country: the automatic appointment of the candidate with the highest votes as Chairman, commonly referred to as the Convener. This tradition, though widespread, is unconstitutional and undermines the principles of local governance. It violates the Local Governance Act, 2016 (Act 936), breaches L.I. 1967, and erodes the rule of law.
The origins of the Unit Committee highlight why its independence matters. In the early 1980s, under the PNDC era, Ghana relied on People’s Defence Committees and later Town and Village Development Committees, which were politically charged and operated as extensions of the central revolutionary authority. The 1992 Constitution sought to transform these bodies into non-partisan statutory institutions, ensuring that leadership was chosen through consensus rather than command. By reverting to the “highest vote” shortcut, the democratic right of the five elected members to deliberate and select their own leader is denied, effectively sliding back into a command-style governance model.
The law itself is clear. The Electoral Commission oversees the election of five Unit Committee members under C.I. 10. Once elected, they transition into a governing body under the Local Government (Urban, Zonal, and Town Councils and Unit Committees) (Establishment) Instrument, 2010 (L.I. 1967). Regulation 26 explicitly states that the committee must elect one of its members to preside at meetings. This creates a two-tier democratic process: first, the public elects representatives; second, those representatives elect their leader. By bypassing the second tier, District Assemblies are effectively rewriting the law, granting automatic leadership to the highest vote-getter without any legal basis.
The implications are serious. Every Metropolitan, Municipal, and District Assembly operates under Model Standing Orders issued by the Ministry of Local Government, Decentralisation and Rural Development. A committee is not fully constituted until its leader is properly elected. Any decision presided over by a Chairman appointed through a vote count rather than an internal election risks being declared a procedural nullity. Communal projects, revenue reports, or local initiatives authorized under such leadership could be legally challenged, weakening the legitimacy of grassroots governance.
The constitutional argument is equally compelling. Article 240(2)(e) of the 1992 Constitution mandates that citizens must participate effectively in their governance. At the Assembly level, the Presiding Member is elected by a two-thirds majority, not automatically appointed based on popularity. Allowing the “highest vote” rule at the Unit Committee level creates a second-class democracy at the grassroots, undermining the very principles of participation and consensus that decentralization was meant to protect.
Beyond legality, the practice poses practical dangers. Popularity does not equate to competence. A candidate may win the highest votes due to philanthropy or local celebrity status but lack the literacy, administrative skills, or technical knowledge required to chair meetings and manage records. Forcing such individuals into leadership roles contributes to the widespread dormancy of Unit Committees, as other members may feel less accountable to a leader they did not choose, leading to friction and inactivity.
Reform is urgently needed. During the inauguration of Unit Committees, Metropolitan, Municipal, and District Chief Executives, along with Presiding Members, must ensure that a formal internal election is held as the first order of business. Civil society and the National Commission for Civic Education must also educate the public that winning the highest votes secures membership, not automatic chairmanship. Restoring the power of choice to Unit Committees is essential for strengthening democracy at the grassroots.
The persistence of this shortcut is not a minor procedural issue but a symptom of administrative lethargy that weakens Ghana’s democratic foundations. Elected members denied their right to vote for a Chairman have grounds to petition their Assemblies, invoking Regulation 26 of L.I. 1967 and demanding compliance with the law. Citizens, too, can pursue judicial review through the courts, seeking remedies such as certiorari to quash unconstitutional appointments or mandamus to compel Assemblies to conduct proper elections.
The Ministry of Local Government and the Electoral Commission must act decisively. A standardized inauguration protocol should be issued to all Assemblies, mandating that the election of a Convener or Chairman be conducted by secret ballot immediately after swearing-in. Without such reforms, the credibility of Unit Committees will remain compromised.
Ultimately, the Constitution belongs not to elites in Accra but to farmers in villages and traders in local markets. Allowing shortcuts at the grassroots rots the very roots of democracy. It is time to stop crowning chairmen and start electing them, as the law and Constitution intended. Only then will Unit Committees possess the legitimacy and authority to drive meaningful community development.
Last Friday, Ghanaian rapper Ko-Jo Cue publicly showed appreciation for rising artiste Amos K, praising his song “Yes Sir” in a video shared on Amos K’s social media page.
Ko-Jo Cue, known for hit records such as Up & Awake featuring Kwesi Arthur and Tontonte featuring Ofori Amponsah and AratheJay, expressed his admiration for the song after witnessing Amos K perform it live at PRJCT Kumasi’s HOMESICK III event held inside KNUST.
During the conversation captured on video, Ko-Jo Cue revealed that he genuinely loved “Yes Sir,” a standout track from Amos K’s debut album Young Black Boy, released in 2021. The moment came organically after the performance, highlighting the impact the song continues to have years after its release.
This recognition arrives at a pivotal time in Amos K’s career. Over the past few months, the rapper has been steadily building momentum, performing on major stages including Kweku Smoke’s Revival Concert. He also recently released a freestyle on the trending WYFL Riddim, which received widespread praise across social media.
In addition to the growing buzz, Amos K’s Spotify monthly listeners have climbed past 2,000, marking the first time he has crossed that milestone since beginning his music career in 2018.
With momentum clearly on his side, Amos K is now preparing to release his next single, “Peter Piper,” scheduled for February 11. As anticipation builds, fans and industry watchers alike are eager to see what the rest of the year holds for the rising rapper.